Detroit: Become Human explores this interesting question

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Detroit: Become Human explores this interesting question, presenting a world where androids seem more like human than machine, but they’re prisoners to our demands. The premise is engrossing, and the variety of choices is fascinating. They’re both compact and far-reaching; it could be how you develop a relationship, or which questions you ask, but what you decide always an impact and it is often unpredictable. The result is an experience you can’t look away from and leaves you thinking. Sometimes this narrow focus is also its downfall, as you begin to spot inconsistencies or unexplained information.

For those unfamiliar with Detroit’s main concept, you play as three Android characters, each looking to go beyond the realms of their programming in their own ways. Kara is a substitute mother for an abused child; Markus begins life as a carer for an elderly artist; and Connor is a state-of-the-art company Android, designed to track down ‘Deviants’ (Androids who have broken their programming). It all takes place in the city of Detroit in 2038, and throughout the game you’ll discover how the characters are interlinked. That’s all I’ll say for now – going into the story with no foreknowledge is the best way to play, and the less you know about what will (or could) happen the better.

The game proceeds as a series of scenes, alternating between these three protagonist perspectives as their personal journeys weave into the story. It’s a structure that Cage used previously in Heavy Rain, but it’s put to better use. Where his previous games told more individual, character-driven narratives, Detroit weaves those personal journeys into the larger movement of android sentience. Within that familiar narrative, there is a lot of room to shape the details. The net result is a story with strong momentum that also leaves a lot of room for player expression.

The extremism also extends to the supporting characters, making them feel cliché, with plenty of over-the-top situations and one-note agendas. Much of the cast seems to always have the worst intentions, including Alice’s abusive and drug-addicted father, and another character who treat robots as his toys to experiment on. Detroit tackles complex themes and doesn’t shy away from violence. Scenes of abuse and brutal circumstances are omnipresent, and they made me uncomfortable – as they should. The scenes make sense in the context of the story, but they feel exploitive due to the over-the-top antics. These stories can certainly be told in video games, but the frequency they’re used here is high, especially in Connor and Kara’s arcs, which can go to dark places.

We went in deeply skeptical of Cage’s previous work and were pleasantly surprised to find that most of the frustrating edges have been sanded off. We’re still not convinced that video games should aspire to be movies, but Detroit: Become Human makes a great case that it can be a fun way to pass the time.

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